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No, Pansexual and Bisexual are not "The Same"

  • Writer: yannick-robin eike mirko
    yannick-robin eike mirko
  • Aug 29, 2023
  • 4 min read

In the spirit of loving and understanding everything LGBTQIA+, it’s important to really make sure there is space being made for every letter within our community. At times, people can feel unsure of how to distinguish some letters from others, sometimes conflating bisexuality with pansexuality, when in reality, they are different things.



Getting down to it


[image description: a screenshot of the Seventeen article headline,

“What’s the Difference Between Pansexual and Bisexual? How do these sexual orientations differ?”.]



As Angela Darra (Director of Rapid Response and Campaigns at GLAAD) described in an interview with Seventeen, “Although definitions and understanding can vary based on age, geography, and other factors, bisexuality is often considered to mean attraction to more than one gender, while pansexuality is often considered to mean attraction to people regardless of their gender.” After all, when you break down the word pansexual, the prefix pan means “all” or “involving all groups”, meaning the pansexual identity is one that has the ability to be with any fish in the sea they please! A bisexual person for example, might only have attraction for only certain genders, whereas a pansexual person has attraction to someone without gender involved in the “attraction equation”.


Bisexual people can identify as "people being attracted to people" like pansexual people do, the distinction is that Bisexual people tend to have regard for gender or preferences for certain things physical outside of the non-physical spirit and personality of someone, where pansexual people have no preference/do not consider gender/physical aspects of the person when dating. It's simply not on the brain in the same way it is for others and so pansexual is a separate sexuality from those who have the physical high up on their list. Another way to describe pansexual is "interest in emotional + physical human connection without clause" as opposed to "I am of this gender and I like this gender list only," which is usually the defining factor of the other sexuality-oriented letters within LGBTQIA+ (with asexual representing those with little, varied, or no sexual feelings or desires [having nothing to do with gender, this identity is focused on the 'lack of' things in comparison to how active others might be in that realm]).


In the same way that people question the difference between bisexuality and pansexuality, there are also a number of people concerned that pansexuality is transphobic - though it’s important to understand that a person’s gender - cis in nature or not - is not what a pansexual person is considering when talking to someone new. For Mariel Eaves, a non-binary social worker providing therapy for trans and queer folk in the US, things are on more of a spectrum. Looking for things like demeanor, values, the way they treat you, and shared interests and goals, are some of the things they listed as examples of things they consider important when looking for a partner. In their piece with Lovelife, Mariel said, “gender is at the bottom of the list”.



Misconceptions


It’s always important to stay mindful of how experiences can be different for everyone, and there is still a lot of prejudice against pansexual people that needs some de-escalation and reflection.


Apart from being different from bisexuality and despite its lack of transphobia, there are still a lot of ideas the rest of the LGBTQIA+ community could stand to lose, in order to make sure every space is truly safe for everyone. Pansexuality is not a circumstance of greed or confusion, nor is it a “trend”. No sexual orientation has proven itself to be full of cheaters more than another, and the potential to be interested in anyone doesn’t mean that is a guarantee or possibility. It is unfair to question the character of individuals based on who they may potentially love.



Timeline of Pansexual History


[image description: a screenshot of a pansexual history timeline from the Seattle Pride website: 1914 - The term first appeared as ‘pansexualism,’ and was theorized as sex being “the motivator of all things.” 1970’s - The definition was changed and used to describe a sexual orientation after people began using the term as an identity. 1974 - The New York Times published an article mentioning the term, which launched pansexuality forward and raised awareness. 1990’s – The term ‘sexual fluidity’ was coined and used through the queer community as a way to better understand pansexuality. 2010 - The pansexual flag appeared on the internet in the colors pink, yellow and blue. Its purpose was to represent trans, intersex, agender, bigender, third Gender, nonbinary and fluid orientations. 2018 – Singer/actress Janelle Monae publicly identified as pansexual which led the word to be one of the most searched terms of the year.]



History proves the existence of the term pansexual dates as far back as the early 1900s in dictionaries, with the current definition being in use since the late 1960/early 70’s. Pansexual was actually first referred to as ‘Pansexualism’ in 1914! Pansexual Awareness Day is the 23rd of May, the pansexual flag is 13 years old and still kicking, and one of the most searched terms on the internet in 2018 was ‘pansexual’, after singer/actor Janelle Monae came out.



Via junkee [image description: a still from the PYNK music video, Janelle Monae stands in a dance pose, affront the pansexual flag in pastel colors.]


The misconception that things are “new”, plagues our chances at being open-minded, safe, and welcoming to others. It’s not that it’s new to society or the world, it’s that it’s new to you right now. And there’s nothing wrong with not having been taught these things before, but it’s important to be grateful to learn and become a better member of humanity.



[image description: the pansexual flag, which has three horizontal lines: bright pink, bright yellow, and light blue.]



yannick-robin eike mirko [who communicates in Spanish, English, + ASL] is a Manhattan-based Biawaisa/Yamoká-hu/Maorocoti multidisciplinary artist, choreographer, writer, doula and disability justice activist with a rare disease. His work sits at the intersection of movement, access, queer and indigenous survival, death care, and institutional accountability, using the body as archive, protest, and living evidence.

Her relationship with dance and movement has never been linear or purely technical. From Off-Broadway to online, their work has been shaped by access, interruption, advocacy, and forced stillness. Movement and progress, for yannick-robin, is not simply choreography or activism; it is testimony, how a marginalized body speaks when institutions fail to listen. 
 

In 2021, yannick-robin participated in Drawing Breath, a visual and embodied project by Risa Puno that centered marginalized voices during COVID, with yannick-robin representing disabled people. The work focused on breath, endurance, and visibility at a time when disabled lives were being openly treated as expendable. This project cemented their understanding of movement as political: presence itself became resistance.
 

In 2022, disability justice became inseparable from his professional life. He was the first physically disabled actor/musician [acoustic and electric guitar, accordion, glockenspiel, xylophone, tambourine] to play a physically disabled role written through an ableist lens and publicly fought the theatre and writers for accountability. This work was documented in his blog and a documentary, a social media movement, and ultimately led to his inclusion in the University of Minnesota’s Tretter Transgender Oral History Project, archiving his contributions to disability, gender, and labor justice in theatre (the most recent edition/collection of years awaiting entering the public access archive due to funding and completion of editing. Help fund the preservation of non-cis history here).
 

That same year, he worked on Mr. Holland’s Opus at Ogunquit Playhouse as an actor/musician [bugle, trumpet, drum kit], a fully captioned production where his lived experience as a non-cis deaf and physically disabled artist directly informed their performance rhythm, physical storytelling, and musicality. Also in 2022, she performed in the inaugural Breaking the Binary Theatre Festival on Theatre Row under the direction of L Morgan Lee, delivering work as an actor involving monologuing about wheelchair use, access failure, and systemic injustice, using their body not as metaphor, but as evidence. 
 

In 2024 after a year and some change prioritizing deathcare work, they returned to theatre at New York Stage and Film (NYSAF), contributing to the work of disabled choreographer Jerron Herman as an actor/dancer. They also released their multi-genre EP passing that year, which catalogs their multi-instrumental writing and use of music for processing as they fall deeper into grief, hearing loss and deafness, and a world of being misunderstood for not being cis.

In 2025, yannick-robin worked on the developmental process for Jay Alan Zimmerman’s upcoming show Songs for Hands on a Thursday, following Jerron Herman’s recommendation. The project included a residency at New York Theatre Barn’s Choreography Lab and a music workshop premiere, where yannick-robin served as both choreographer and dancer. The piece centered a Deaf father’s death and a CODA grappling with silence; yannick-robin’s role was to integrate sign language into choreography and bridge gaps between sound, access, and movement for d/Deaf performers.
 

Alongside his performance work, yannick-robin has been active in nonprofit and advocacy spaces since 2020. She worked for Imara Jones of TransLash Media, one of TIME Magazine’s 100 Most Influential People of 2023, where they were nominated for a Webby Award as an associate and digital producer for The TransLash Podcast, contributed to The Anti-Trans Hate Machine series, and wrote obituaries for TGNC siblings lost to violence. He has written for TalkDeath on racial disparities and discrimination in death care and other deathcare and injustice related topics and now offers obituary writing, death doulaship, and bereavement counseling for TGNC decedents and their families, people with rare diseases, and disabled communities.


for commissions, death care, speaking engagements and more, press the contact button.
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yannick-robin eike mirko is represented by Arise Artists Agency

© 2026 yannick-robin eike mirko

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